About this show
Raising a teenager is hard. And for Mia and Dailyn it’s not going smoothly. As they get ready for older sister Alex to come home, an unsettling visitor steps out of the algorithm, their plans glitch into chaos.
From Obie Award–winning playwright Kirsten Greenidge comes Morning, Noon, and Night, a darkly funny, mind-bending exploration of family, surveillance, and connection in a post-pandemic world. Reality blurs in this sharp and stirring drama about how the “new normal” is pretty weird.
The cast tell audiences what to be prepared for in Morning, Noon, and Night.
Running Time
This production runs at about 95 minutes without an intermission
Content advisory
This production includes the following: Mature/Adult themes, Explicit Language, Loud Noises and Flashing Lights.
DIGITAL PROGRAM
ADDITIONAL INFORMATION
Accessible Performances
Audio-Described and Touch Tour:
Friday, March 20th at 7:30 pm
(6:15 pm touch tour, 7:30 pm curtain)
Open-Captioned Public Performance:
Sunday, March 22nd at 3 pm
The Artists
WRITTEN BY: Kirsten Greenidge
DIRECTOR: AmBer Montgomery
SET AND LIGHT DESIGN: Jackie Fox
COSTUME DESIGN: Kotryna Hilko
SOUND DESIGN: Stephon Dorsey
PROJECTION DESIGN: Abboye Lawrence
PROPS DESIGN: Persephone Lawrence-Wescott
ASSISTANT DIRECTOR: Sydni Charity Solomon
STAGE MANAGER: Ariel Beller
PRODUCTION MANAGER: Adam Schulmerich
FEATURED ENSEMBLE MEMBERS
Leslie Ann Sheppard, Christina Gorman, Adam Schulmerich
The Cast
MIA: Kristin E. Ellis
DAILYN: Emefa Dzodzomenyo
HEATHER: Christina Gorman
CHLOE: Soren Jimmie Williams
NAT: Hannah Antman
MISS CANDICE: Leslie Ann Sheppard
we’re so glad you’re here
-
Kirsten Greenidge
Kirsten Greenidge’s work presents African American experiences on stage by examining the nexus of race, class, and gender. Kirsten is currently a Playwright in Residence at Company One Theatre in Boston Massachusetts, where she helps run Company One’s playwriting program, PlayLab. She is the author of Baltimore, a commission from the Big Ten Consortium at the University of Iowa, which toured to the National Black Theatre Conference; Bud Not Buddy, an adaptation of the children’s novel by Christopher Paul Curtis, with music by Terence Blanchard, which will be produced this winter at Metro Stage Company in St. Louis; The Luck of the Irish (Huntington Theatre Company; LTC3); and Milk Like Sugar (La Jolla Playhouse; Women’s Theatre Project; Playwright’s Horizons), which was nominated for a Lucille Lortel Award and received an Independent Reviewers of New England Award, and San Diego Critics Award, and an OBIE Award. She is a 2016 winner of the Roe Green Award for new plays from Cleveland Playhouse for Little Row Boat; Or, Conjecture, a play about Sally Hemings, James Hemings, and Thomas Jefferson, commissioned by Yale Rep. Her play As Far As a Century’s Reach toured to the Edinburgh Fringe Festival in August, after being part of the Royal Exchange’s B!RTH Project. She is a proud author of Audacity, part of Oregon Shakespeare Festival’s EVERY 28 HOUR PLAYS, and she’s enjoyed development experiences at Family Residency at the Space at Ryder Farm, the Huntington’s Summer Play Festival, Cleveland Playhouse (as the 2016 Roe Green New Play Award recipient), The Goodman, Denver Center Theatre’s New Play Summit, Sundance, Bay Area Playwrights Festival, Sundance at Ucross, and the O’Neill. Kirsten is currently working on commissions from Company One, La Jolla Playhouse, OSF’s American Revolutions Project, The Goodman, and Playwrights Horizons. She is an alum of New Dramatists, and has proudly graced the Kilroys list of New Plays by women and women identified Playwrights several years running. Her play Familiar`, a winner of the Kennedy Center/American College Theatre Festival New Play Award, was presented by Harvard’s A.R.T. Institute this winter. She is an alum of Wesleyan University, and the Playwrights Workshop at the University of Iowa. She oversees the Playwriting Program at the School of Theatre at Boston University. https://www.kirstengreenidgeplaywright.com/
-
AmBer Montgomery
Amber D. Montgomery (she/her) is the Associate Artistic Director of Shattered Globe Theatre. Her Chicago directing and associate/assistant directing credits include JUMP, Rasheeda Speaking and Sheepdog (Shattered Globe Theatre), School Girls; Or, the African Mean Girls Play (Goodman Theatre), Lindiwe (Steppenwolf Theatre), Too Heavy for Your Pocket (TimeLine Theatre), Ma Rainey’s Black Bottom (Writers Theatre), Measure for Measure (American Players Theatre), First Love is the Revolution (Steep Theatre), The Snow Queen (The House Theatre of Chicago), Countess Dracula (Otherworld Theatre) and REVLOT (Story Theatre New Play Festival). Montgomery was awarded a Directing Fellowship at the Oregon Shakespeare Festival and at Steppenwolf Theatre’s Department of Education/SYA. She has also trained at Shakespeare’s Globe in London and LISPA (now Arthaus Berlin). She holds a BFA in Acting from the University of Minnesota/Guthrie Theater BFA Actor Training Program and an MA from Central Saint Martins in London.
The Sleepless Critic
“Greenidge’s clever dialogue lets the tech lingo fly”
Bay State Banner
